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This is one of the worst of times, it was the best of times. Those active in one of the curators and artists, galleries, media and other forces in the front line, while facing the Chinese contemporary art fully capitalized era. Interrogation of the most central body in which the "third generation curator" In an interview with large and small, unimportant important exhibition, the face is still as curator, whether to promote the development of art history, whether it can make a difference in their own exhibition system. As a new generation of curators, degree of specialization and increase the popularity of the exhibition, and gradually let technical problems can become the object of criticism in the day to complete the technical criticism,michael kors sac, perhaps in order to usher people real respect for the industry.
The third generation curator
From Xianting, Fei Dawei, Gao Lu and other first-generation curators, to Pi Li, Qiu and other second-generation curators,borsa louis vuitton, we have experienced a full three decades of contemporary Chinese art. When we are focusing the moment, the central topic as a "third generation curator,?sac michael kors," we know that such inter-generational divide liable to question given. In the interview, the interviewee mentioned often on the "third generation" concept when they were all in the rhetorical question is denied. For example, the division is based on the basis of age and time, there will be no problem for the curators of their own; if divided according to age, it is active in one of the curators of the age gap, but still have the status quo. Then, the "third generation" raised, as if in addition to the current curator of integration, also summarized in advance at the end of this era.
Dai Zhuoqun planning,sac louis vuitton pas cher, "civilized" the second time: Yulin, visits Fort Jian, 2013
Of course, this is not our intention. In-depth work inside the curator,sacs louis vuitton, and presents problems, but in reality we are faced with is their opinions on art, the role of the professional level in the exhibition,louboutin outlet heels, as well as people of character, disposition and temperament of the exhibition generated. As a first interview with a lot of young curators for the content of the topic, we hope from their words and deeds, suggesting a curator in practice "good" and "bad", let judgment under well-founded; In addition, from their curatorial practice,louis vuitton sac, we can also see the status of the entire era, as well as one of the opportunities and difficulties. If these elements can be brought to the attention or criticism, discussion of the curators also makes sense.
Professional, professional
From 2014 Museum of Art curator endless support program began, we find that people are increasingly of concern curators, but in reality is dissatisfied with the status quo. In recent years, due to over-commercialization of the exhibition, as well as most of the exhibition does not, so early a few years ago, someone had already announced the disappearance of the curators of the times. When we try to talk about the "third generation curators" as when the primary is still talking about the process of professional curators in various faces. Professional, is a description of the plan to a living person curatorial curatorial system after formation. In the extreme commercialization of Chinese contemporary art, curators on the "occupation" of the talk is quite cautious.
When curatorial become a profession when it was among the most difficult to handle how you can make a living, but not reduced to a vassal's market? Faced with the status quo of Chinese contemporary art,ceinture louis vuitton, it is difficult to stay out of everyone to give any comments. If the professional is not the issue at the center of today's conflicts, how to make a professional planner is particularly pertinent questions.
For example,michael kors pas cher, from the halls of the - on the floor, lighting, walls, and the overall visual control and grasp the hall outside, propaganda, explain and reconcile relationships, can all be done in every exhibit excellence? In addition to these matters need to perform hands-on, if you can write a no logical errors, language concise, accurate and in-depth articles? This one alone is enough to put a lot of playing with words, the concept of abuse curator shut out.
Of course,louis vuitton handbags, we talked with the curators of specialization, when not from their statements that these "professional" can be realized in a real exhibition site a few into? For me, as long as the critical part of the less then a minute, are failing. The penny's intentions cautious curator is not whether professional, but rather a professional attitude, and if this attitude where there's a trace of awe in the arts,christian louboutin outlet uk, and read like the exhibition itself, even without a percentiles, are destined for a hundred points on the road now.
As curator of glory
Today, we also need to do a curator? This is a question lingering in the past two years my mind. Two years ago, a friend and I were talking about the future of the "mastermind" which way to go when demand from artists, art ecological conditions, as the three aspects of curators, pessimistically draw a conclusion: in everywhere curators today, that glory that once belonged to the curator has constantly disappearing. This glory, a time when only the older generation feel twelve conversation, whether it is idealistic enthusiasm to talk about "85 New Wave Art Movement" when it comes to the 1990s still struggling contemporary art, artists, curators, and together Those exhibition traveled,louis vuitton sac, have confirmed every step forward in Chinese contemporary art.
In the interview, there are curators quipped: "Ideally curator of the director, the actual situation is the contractors." This is indeed a lot of curators constantly complain about the status quo. A good exhibition, from the emergence of thought, feeling the outbreak, which has always been a curator in spare no effort to go all out. As long as you put in which is the beginning of the game and struggle. Force in the game, some people in the name of some human interest, some people compared to artists, for art, for the exhibition. So,sac michael kors, in addition to business independently, the same as the master to be purely exhibition, this time not as it should be,louis vuitton pas cher, but we must strive to make it available for the task.
Ideal is great, the reality is very cruel. In addition to their own, no one will really care whether you have a noble character and basic respect for the artistic and moral. Those high-sounding words, that much is no good, the gap between words and actions is that more professional confession, diligent with performative,chaussures louboutin, and less and less progressive heart of hypocrisy and laziness. Like solo exhibition, wasted too many resources in this industry, they both can not open a door for a good artist, but also for the development of the arts can not have a shred of progress. Contemporary art, most of the exhibition curators, we can only,sacs louis vuitton pas cher, it can only achievement personal history, but can not give a real boost to the development of the development of art history or art.
Exhibition to open the door in the end is what?
When asked the artist comments on the young curators, three artists continuously refused. Their attitude, so I really feel sad and depressed. Weekdays private chat, and they are always full of insight, but at this time chose silence. As their friends, so I was almost without hesitation "silent" shocked, but also embarrassed himself. The silence is so real,sac a main michael kors, you can not ignore, and how can I speak with do not speak the way to convey the power?
I can only choose to continue speech, choose silence for them. Today, a good work in one room for error, only the achievement of a final exhibition invalid. How to work "Presence" is equal to the artist's "presence" while still allowing the exhibition of "presence" of the achievements of artists and curators at the same time "not present",cheap louboutins, I believe that a good exhibition is the most difficult to grasp and control of local . In the interview, mentioned more than a curator, the exhibition should not be criticized abstract discourse space, it is visual, it can be perceived, to be perceived.
When we have completed the technical exhibition criticism moment, perhaps in order to usher people real respect for the industry. In addition to the exhibition space in the living environment of contemporary art, these attitudes and as a curator, still bear the entire responsibility for the ecological improved. So, I still believe that a person can open an exhibition of the world, a world of art; you can also open an era, an unprecedented era.
Source: hiart
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